I’ve been watching Jonathan Ross’ In Search of Steve Ditko this evening and as I do sometimes it got me thinking. If Alan Moore sat down on a train opposite me, what would I say? Simply not talking to him wouldn’t be an option – this is a once-in-a-lifetime opportunity to receive wisdom directly from the Great Man after all. But by the same token, asking for his autograph or asking obvious, overtly fannish questions would be out of the question as well.
So my question to you dear reader, is what three questions would you ask Alan Moore if you met him on a train? My three would be:
1. What do you make of AARGH!? Was it a success? Do you think it helped challenge prejudice? For those who don’t know, AARGH! – or Artists Against Rampant Government Homophobia – was a protest book edited by Moore in 1988 to protest against Section 28. While it contains some strong content, it also includes two pieces which have always bothered me. The piece by Frank Miller is a clear case of the hardnut of comics having his cake and eating it by getting to “protest” against homophobia by producing several pages of what appears to be blatantly homophobic itself. This remember is the man you regards Socrates-murdering Athenians to be gay while the Spartans are the height of hetero-manliness. The piece by Brian Bolland, while less obviously exploitative, is by a man clearly uncomfortable with homosexuality.
It’s fascinating because here are a bunch of broadly liberal artists struggling with a topic like homosexuality in a way that my generation really takes for granted. Given that, and the fact that AARGH! fairly obviously failed to get the law stopped, I’d be fascinated by Alan Moore’s take on it 20 years later.
2. How would your ideal system of intellectual property rights work? In particular, what do you think of ideas like Creative Commons. Alan Moore has always struggled with publishers over creators’ rights and much of his best work has been work-for-hire, something which clearly grates with him. But ideas like Creative Commons conflict to some extent with the creators’ rights movement that had such an influence on the comics industry in the early 90s.
3. Did you ever really intend to continue Halo Jones beyond book 3? Halo Jones Book 4 is often hailed as one of the greatest comic books never written. It is rumoured even that Alan Moore originally intended there to be nine Halo Jones books. Yet I’ve always had my doubts over this. I always assumed that the “history” sections in books two and three were merely meta-narrative which served to give the character a certain mystique which Moore never really intended to fully explore. Book three ends perfectly to me and I’m not convinced I’d want the story to continue afterwards. And finally, with the possible exception of Big Numbers, Alan Moore does not appear to have ever let a project of his dangle if he still had a story to tell. His fallings out with comic companies tend to happen after the work is complete, not during (unlike, for example, Rick Veitch’s falling out with DC over his Jesus / Swamp Thing storyline).
Those are my three questions; what would yours be? To kick this off, I tag Alex Wilcock, Millennium Elephant, Nick Barlow, Justin McKeating, Mat Bowles and Jennie Rigg. If you want to do this meme and I haven’t tagged you, feel free to do so any spread the word!