God, all my wishes are getting pretty forlorn, aren’t they? I’ve written about the upcoming Watchmen film fairly recently. What I will add is that I spent the early hours of Sunday morning watching the various promos and video diaries that the production team have been pumping out on the internet about it. The portents are not great, I’m afraid to report.
Two of them give me particular pause for concern, the first possibly unreasonably. This film is about how kewl the Owlship is going to be. If I were a fourteen year old, and this was a Batman film, I would be excited. As it stands, the Owlship is a very minor part of the Watchmen aesthetic: it gives the second Nite-Owl a gimmick (a gimmick almost wholly ripped off from Blue Beetle, unsurprisingly) and gets the characters from A to B. It’s an egg-shaped thing with windows – what’s to get excited about (okay, I’ll admit it – I got ridiculously excited about the Batmobile in the 1989 film. There. Happy now?)?
But to be fair, this film is probably little more than the production team bigging up their contribution. Good for them. Up the workers I say. No, what really worries me is this film about the Silk Spectre. Leave aside the sexed up costume for a minute – I can live with that (although I’ve never understood this longstanding comic book movie tradition of turning superhero costumes into fetish wear). What really worries me is hearing Zack Snyder and the actress Malin Akerman describe the character as some kind of feminist icon. She “kicks ass” – she’s “awesome.” She even represents, ahem, “woman power“.
In the comic, Laurie is actually quite a passive character. She goes along with what her mother wants, then goes along with what Doctor Manhattan wants. Admittedly, she does convince Manhattan to save the world but she doesn’t do it through the power of her womanly fists but through, er, talking. Almost none of the fighting you see in the film clips actually happen in the comic.
Now, I have nothing wrong with strong female characters (although this interpretation does seem to be more of a strong male character in a woman’s body) and I understand that they have to up the action ante for the film. But the overall tone I keep hearing on these promo clips is that the interpretation that Zack Snyder is going for is rather reminiscent of all those dreadful post-Watchmen comics of the late eighties and early nineties.
You remember? When everything went grim, gritty and “realistic”? When Rob Liefield was the hottest artist on the planet (shivers)? The Dark Knight Returns shares responsibility for that particularly shallow period of comic book creativity, but a selective reading of Watchmen is also to blame. The watershed moment was Rorschach winning the Eagle Award for “Character Most Worthy of Own Title.” Yes, what the comics reading public wanted was a strip about a completely insane, psychopathic character which was parodying Steve Ditko‘s Ayn Rand obsessions. Just as a lot of comic readers think that Judge Dredd is an advertisement for zero tolerance summary justice, a lot of the freaks considered Rorschach, The Comedian et al to be heroes.
The Watchmen is about a bunch of misfits who ultimately fail to make a difference. They don’t save the world – in fact they make it a more dangerous place. At lot of people looked at all the pretty pictures and failed to notice that in the late eighties. My current fear is that Zack Snyder was one of them.
On the plus side, the Japanese trailer for the film does look a lot more interesting (I like the JFK appearance – including the revelation of the true assassin), even if the scenes in the “situation room” do look a bit like a camped up version of Dr Strangelove. There may be hope yet.
Why does any of this matter? Well, to be quite honest it doesn’t really. It’s just that while I think I would have preferred it if they hadn’t tried making this particular classic into a film, I’m going to spend my money watching it anyway so it might as well not be a soul-destroying three hours of my life.
Ultimately all I really wish for is that it ends up being no worse than the film version of V for Vendetta, which I have a sneaking affection for. The fact that they took such liberties with V is, in my view, a selling point. I think they got close to the heart of the story (even if they did cop out at the end) in the way that I fear Watchmen won’t.