Zig’n'Zag’s mutant offspring
Sunday, February 24th, 2008I can’t believe this piece of shit beat My Lovely Horse!
I can’t believe this piece of shit beat My Lovely Horse!

Earlier today I did a blog post about Rowan Williams revolving around the metaphor of him erecting giant straw men in order to burn them down, but it was crap so I deleted it. But I was quite pleased with the above photoshop jobbie, so I thought I’d publish it anyway rather than have it all go to waste.
Quote of the Week: “Who gains, who gains? That’s the clue Inga! Nobody kills for nothing - unless they’re a total psychopath like me, and even I like to turn a profit.” - P.J. ponders about his impersonator in Judge Dredd.
Cover: Cliff Robinson draws P.J. Maybe and Dredd.
Contents: Judge Dredd, Shakara, Kingdom, Strontium Dog and Stickleback all continue.
Review in less than 10 words: The worms turn.
Spoilers… (more…)
I was somewhat underwhelmed to read in Empire this month about alleged tensions on the set of the film The League of Extraordinary Gentlemen (as I insist on calling it) between Sean Connery and director Stephen Norrington. After 7 pages, it emerges that this consisted of little more than not getting on very well and Norrington on one occasion goading Connery to punch him, which Connery declined to do. Oh, and one of the stages got flooded. Ho. Hum.
It is particularly unfortunate that we only get to read one side of the story: Connery is certainly a bona fide movie star, but he has always seemed to be quite precious about it (okay, I admit it, I just don’t like his politics).
But the real problem with this article, and the reason for this rant now, is that it doesn’t touch on either the ongoing travesty that is Hollywood’s inability to “get” Alan Moore (the best thing that can be said about “LXG” - as they like to call it - is that it isn’t quite as godawful as From Hell) or the legal battle that Moore faced when some no-mark sued him for plagiarising his never-before-heard-of yet vaguely similar screenplay. That’s a far more interesting story.
It’s also a missed opportunity not to mention the Black Dossier, the latest League comic which is currently unavailable in the UK due to several potential copyright issues.
Alan Moore is a funny one. In a recent article in the Megazine, Alan Grant describes Moore as a “character developer” as opposed to a creator. This seems like a gross insult to the man until you realise that it happens to be true. Name an Alan Moore classic comic and the chances are it is derived from something else. There are exceptions - V for Vendetta, Halo Jones, DR and Quinch - but most of his best work has been based on other people’s creations.
None of that is to deny his genius. But it does make one wonder why he is so extraordinarily precious about his own intellectual property.

Quote of the Week: “Bhuu-rrpp! Ugh. Kid was stringier than he looked. Hey, Shockeye, what’s fer dessert? Y’got any more o’that blood custard an’ them sweet pickled twins left?” - Buffalo Bill Cody sings for his supper in Stickleback.
Cover: Brendan McCarthy is back from la-la land, drawing his first 2000AD cover since 1991. And what a great cover it is too. I have to say I prefer the final version compared to the alternate version I found on McCarthy’s website (also pictured). Credit too then to veteran 2000AD designer Steve Cook for the final design.
Contents: Judge Dredd, Shakara, Kingdom, Strontium Dog and Stickleback all continue.
Review in less than 10 words: Everything gets complicated.
Spoilers… (more…)
Okay, I admit it, I’m a geek. Last night, I received a book from Amazon which I was first promised back in 1983.
Somewhere in my boxes at my parents’ house is a battered old copy of the very first Citadel Compendium. According to this, one of the products which Citadel Miniatures/Games Workshop was planning to produce was a science fiction roleplaying game called Rogue Trader.
Warhammer 40,000: Rogue Trader eventually came out in 1987, but it was a skirmish battle game not a roleplaying game. That quickly mutated into the full on war game that has impoverished spotty oiks ever since. The Rogue Traders (basically space pirates, only of the Francis Drake rather than Long John Silver variety) themselves were relegated to a few paragraphs of exposition.
What came through the post was the core rulebook for Dark Heresy. This is, basically, Paranoia for leather fetishists. The Rogue Traders themselves are mentioned but don’t even have so much of a subheading to call their own. But at least its closer to what I thought was going to be coming out in 1983.
It is slightly ironic that the aforementioned book came out a week after the world’s biggest Rogue Trader sent the stockmarket into a nosedive. Meanwhile, the announcement that the game, and indeed all other roleplaying games published by Games Workshops’ Black Industries imprint is to be immediately scrapped merely ranks as “bloody typical”. It’s deja vu all over again!
Oh, and also vaguely related, the 2000AD section in my local Borders lists Rogue Trooper as “Rouge Trader”, which is wrong on so many thousands of levels I don’t know where to start (”dispensing blusher and filofax, Rogue.” “Thanks, Handbagman.”).

Covers: 1569 features a rather odd picture of some mutants by Simon Davies, clearly still in his Stone Island phase. 1570 features Gene from Kingdom mid-battle with some giant insects. The latter is clearly the more obviously commercial, but I was surprised to see that 1569 had sold out in a couple of days at my local Borders.
It is interesting to note that just a few issues in, the new logo has already had a slight tweak. The big thick bar across the top of the page which I hated has gone transparent. Whether the redundant extra “2000AD” will stay for much longer remains to be seen.
Quote: “Gene did not even know there was a word called hide-rononiks. Your mouth is full of strange.” - Gene Hackman gets to grip with modern farming techniques in The Kingdom.
Contents: Both progs feature Judge Dredd (a new multi-parter starts in 1569), Shakara, Kingdom, Stickleback and Strontium Dog.
Spoilers… (more…)
Quote of the month: “So we’re going to be best friends. At at journey’s end, you’re going to give your best friend Tempest fourteen billion creds. And if you don’t give your best friend Tempest fourteen billions creds… your best friend Tempest is going to tie you down and hammer nails in your skull until you die screaming in hideous agony. Because that’s what friends are for.” Tempest bonding with Johnny in Tempest.
Cover: Jon Davis-Hunt draws Tempest in a dramatic pose.
Strips: Judge Dredd, Armitage, Tempest, Bob the Galactic Bum (reprint)
Features: Two Interrogations (interview with Alan Grant part 2 and Al Ewing), New Comics (Alan Moore and Kev O’Neill’s The League of Extradordinary Gentlemen: The Black Dossier), New Movies, Dreddlines (letters)
Spoilers… (more…)
One of the many things I’ve struggled to get around too after the New Year break is my weekly Tooth Review. A double helping here, and I think I may continue doing them in clumps as I’ve found I tend to repeat myself a lot.
Quote of the fortnight: “Great steamin’ arse’oles!” Stickleback in Stickleback.
Contents: Both issues feature a Judge Dredd one-off and the continuation of Shakara, Kingdom, Stickleback and Strontium Dog from Prog 2008.
Covers: 1567 - Cliff Robinson draws a dramatic Johnny Alpha fron Strontium Dog, being lowered into prison to set Billy Glum free. 1568 - Nick Percival (is he still alive?) draws Shakara. Of the two, I prefer the Nick Percival, mainly because it is something different and I love the EC-style lettering. Still not convinced by the new “double” logo which now fills a fifth of the whole page; we’ve gone down this road before and each time the logo has been scrapped because the editor found it too limiting.
I have to admit, I saw this picture of a proposed Energy Island in the Guardian on Monday and my first thought was “what happens if they roll a 7?”