He-he ain’t heavy – he’s my brother!Judge Dredd
Script: Pat Mills; Artist: Mike McMahon; Letters: Tony Jacob
A mysterious figure arrives as the Kennedy Space Port and tries to make contact with Joe Dredd, claiming to also be called Judge Dredd. Dredd immediately realises that Rico has returned. He returns to his apartment to find Rico waiting for him, having shut off the oxygen and heating. It is revealed that Rico and Joe are both clones who were inducted to the Academy of Law from birth. Rico ultimately graduated top of the class, with Joe a close second. But Rico ends up being corrupt and, after killing a man, Joe arrests him. Rico is sentenced to 20 years on the Penal Colony of Titan, from where he has just returned. He reveals that in order to survive the harsh climate on Titan, his body has been adapted and horrifically disfigured. He proposes a shootout to the death, but Joe is too quick for him and Rico is killed.
Although I have selected this episode at random, I couldn’t have picked a better one to start with! During the first year, the lore surrounding Judge Dredd, not to mention the creative teams, underwent a lot of revision. Although it is now seen as a fairly core part of the strip, this is actually the first time it is established that Dredd is in fact a clone.
Indeed, it is an idea that doesn’t get explored very much for a long time. Rico doesn’t come up again until nearly two years later when it is revealed he has a daughter (“Vienna”, prog 116), and it isn’t even established that he is a clone of Judge Fargo, the founder of the judge system, until 1984’s “Dredd Angel” (progs 377-383) – although I believe it was mentioned in a timeline that was published in an annual before then. After that, however, this aspect gradually became more of an established part of the lore, and eventually a younger clone of Dredd would adopt the name “Rico” in “Blood Cadets” (1186-1188), a story which contains a partial flashback to this one. This Judge has not turned out to be corrupt.
Possibly Rico’s most famous appearance was as the main antagonist in the 1995 Judge Dredd motion picture. In this case he is presented as being genetically identical, and even has the same fingerprints, but is played by the Armand Assante as opposed to Sylvester Stallone who was in the lead role.
The other concept introduced in this story is the idea of the Penal Colony on Titan where corrupt judges are sent. This would go on to become a central feature in “Inferno” by Grant Morrison, Mark Millar and Carlos Ezquerra (progs 842-853) and later still in “Titan” by Rob Williams and Henry Flint (progs 1862-1869).
It is worth noting that this episode is written by Pat Mills. Pat Mills is the founding editor of 2000AD, but the main Judge Dredd writer at the time (and for most of the strip’s history) was creator John Wagner. In fact, the sum total of Judge Dredd strips written by Pat Mills is very small – essentially it comprises this and “The Cursed Earth” (progs 61-85), but his influence during the strip’s early development is hard to under-estimate. Pat Mills would go back to revisit this story in 1995, with “Flashback 2099: The Return of Rico” (progs 950-952). This is essentially the same story, padded out. I have to say I think it is the inferior of the two tellings, as the original is a masterpiece in efficient storytelling. The remake includes lots of ellipses about how the judicial system is essentially fascist which, firstly, we sort of knew without having it spelt out, and secondly, doesn’t really justify Rico committing extortion and murder – so it’s hard to see what point is being made.
More typically for this era, it it illustrated by Mike McMahon. McMahon became the default Dredd artist following creator Carlos Ezquerra’s departure citing creative differences. This is still very early McMahon, at a time when he was essentially hired because of his ability to replicate Ezquerra’s art style. McMahon’s style would develop significantly over the following years, and this isn’t rendered in the “big boots” style that became his trademark, but it still has some incredibly dynamic figure work. No-one has ever managed to draw a better Rico than the on page 5. It’s also worth noting that during this period, Dredd’s uniform was still undergoing a fair bit of revision; this strip still has him drawn with the “rounded visor” style of the early days. Eventually McMahon would go on to develop the more angular version of the helmet that is more familiar during the “Luna-1” cycle of stories (progs 42-58, wherein Dredd is made temporary “Judge Marshall” of a lunar outpost) and other artists would go on to adopt this style.
- The “He Ain’t Heavy, He’s My Brother” quote is of course a reference to the Hollies’ pop song from 1969.
- One curiosity is that at one point Rico overwhelms Maria, Dredd’s housekeeper, and ties her up in the apartment, only to go on to remove all the oxygen from the apartment. How she survives is not clear – although she does appear on the last page (and in subsequent stories). Dredd’s servodroid Walter the Wobot does not appear in this episode – presumably he’s out shopping.
- You actually see Joe and Rico Dredd’s unmasked faces as young men in a couple of frames, albeit as long shots. The tradition of never showing Dredd’s face actually began as far back as prog 8 when Dredd’s face is “censored” – apparently because it was too ghastly to show to readers.